Category Archives: Music and dance

“The old villagers who have imbibed our traditional knowledge and normally make and play the Banam [fiddle] are unable to transmit their skills and knowledge to [youngsters] busy preparing school lessons and therefore get little time to sit with the elderly people of their village and learn from them. Another reason is [an] attraction to the fast and loud music from Bollywood and from other modern sources.” – Boro Baski on the purpose of organizing instrument making workshops at the Museum of Santal Culture (Bishnubati village near Santiniketan, West Bengal)
https://indiantribalheritage.org/?p=30075

“Musical knowledge is transmitted through a collective oral-aural, participative method, in which memory and tradition are the basic principles. Music skills are acquired by listening and repeating, by assimilating formulary materials, and by participation in a kind of communal retrospection.” – Ruchira Ghose in “Cadence and Counterpoint: Documenting Santal Musical Traditions” (A virtual exhibition on Google Cultural Institute 2016)
https://artsandculture.google.com/exhibit/DwISi2xsSQFgKA
https://indiantribalheritage.org/?p=19487

“The great diversity of music in India is a direct manifestation of the diversity and fragmentation of the population in terms of race, religion, language, and other aspects of culture. The process of acculturation, so accelerated in modern times, is still not a very significant factor in many areas of the country. There remain remote pockets where tribal societies continue to live much as they have done for centuries. Even though some of these may show evidence of borrowing from higher cultures, they nevertheless manage to assimilate these elements into their own culture in such a way as to enhance their own identity.” – NA Jairazbhoy in A Cultural History of India (Oxford University Press, 1975, Chapter XVI “Tribal, Folk and Devotional Music”), pp. 212-242
https://indiantribalheritage.org/?p=3488

“Many of the modern day gypsies can be traced back to the nomadic tribe called Roma. In Europe, they were referred to as the goddess-worshippers. This goddess was none other than Kali. They were later referred to as gypsy, as they believed that they came from Egypt before spreading to European countries. The tribe Roma also make a claim that their ancestors were an ancient warrior class in Punjab. […] While suspicions have led to wide scale persecution, the world also acknowledges their amazing contribution, especially to music and dance. From guitar to violins in places like Hungary, the flamenco dances in Spain and Oriental dances in Egypt is said to originate from them.” – “Where do gypsies come from?” (The Times of India, Life, 14 May 2013)
https://timesofindia.indiatimes.com/where-do-gypsies-come-from/articleshow/18791132.cms
https://indiantribalheritage.org/?p=20310

“Within villages around Dang [in Gujarat], traditional instruments and artists are waning. Cultural music and dance forms among the adivasis have evolved over centuries. Beautified by elements and nuances of their surroundings, these forms depict their very lifestyles. Played for hours together in the same tempo, music is an integral part of celebrations and mourning. […] Each instrument has a purpose and belief related to it.” – Ashleshaa Khurana in “The ailing art of adivasi music” (Times of India, 30 January 2014)
https://indiantribalheritage.org/?p=13780

Learn more about tribal communities in Madhya Pradesh

When it comes to protein and calorie counts, milk and bananas do not match up to eggs, particularly for [Madhya Pradesh], where development indicators are among India’s worst: Almost 51% of children under five years of age are underweight, and … Continue reading

Posted in Adverse inclusion, Anthropology, Archaeology, Central region – Central Zonal Council, Childhood and children, Community facilities, Crafts and visual arts, Cultural heritage, Democracy, Eco tourism, Ecology and environment, Economy and development, Education and literacy, Ekalavya (Eklavya, Eklabya), EMR & Factory schools, Endangered language, Figures, census and other statistics, Forest Rights Act (FRA), Government of India, Health and nutrition, History, Languages and linguistic heritage, Literature and bibliographies, Multi-lingual education, Museum collections - India, Music and dance, Narmada, Organizations, Particularly vulnerable tribal group, Resources, Revival of traditions, Seasons and festivals, Tips, Tourism, Women, Worship and rituals | Tagged , | Comments Off on Learn more about tribal communities in Madhya Pradesh

Ecological References in the Folksongs of the Kurichiyan Tribe of Wayanad – Kerala

Ecological References in the Folksongs of theKurichiyan Tribe of Kerala by Bindu Ramachandran Abstract: This article is on the folksongs of the Kurichiyans, one of many settled agricultural tribes of the Wayanad district of Kerala. Their culture is enriched by a number … Continue reading

Posted in Anthropology, Customs, Ecology and environment, Figures, census and other statistics, Languages and linguistic heritage, Literature and bibliographies, Music and dance, Names and communities, Nature and wildlife, Quotes, Seasons and festivals, Wayanad, Western Ghats - tribal heritage & ecology | Tagged , , , , , | Comments Off on Ecological References in the Folksongs of the Kurichiyan Tribe of Wayanad – Kerala

Tip | Find new and old publications on Indian tribal culture on worldcat.org

  Search for an item in libraries near you: Enter title, subject or author WorldCat.org >> Search categories (examples) Adivasi customs Adivasi ethnobotany Endangered languages in India Indian publications illustrated by tribal artists India particularly vulnerable tribal group India Scheduled … Continue reading

Posted in Adivasi / Adibasi, Anthropology, Assimilation, Colonial policies, Cultural heritage, Customs, De- and re-tribalisation, Democracy, Dress and ornaments, Economy and development, Figures, census and other statistics, Government of India, History, Libraries, Literature - fiction, Literature and bibliographies, Music and dance, Organizations, Performing arts, Resources, Rights of Indigenous Peoples, Rural poverty, Social conventions, Tips, Worship and rituals | Comments Off on Tip | Find new and old publications on Indian tribal culture on worldcat.org

Future in the making – Kanavu Kerala Culture Club

‘Kanavu’ means ‘dream‘. It is exactly a dream, an initiative of the alternative educational vision of K. J. Baby and his like-minded friends. The inception of the idea can be traced back to Maveli Manatram (1991), Baby‘s novel that was … Continue reading

Posted in Childhood and children, Community facilities, Crafts and visual arts, Cultural heritage, Ecology and environment, Economy and development, Education and literacy, Film, Games and leisure time, Gandhian social movement, Health and nutrition, Music and dance, Names and communities, Organizations, Performing arts, Press snippets, Quotes, Rural poverty, Video resources - external, Wayanad, Women | Tagged | Comments Off on Future in the making – Kanavu Kerala Culture Club

Jamini Roy’s Santal Drummers

Two sought after paintings by Rabindranath Tagore which the British collector, W.G. Archer, acquired while working in pre-independence India as a civil servant, are being offered for sale in London. […] Another five paintings by Jamini Roy (1887-1972), with reserve … Continue reading

Posted in Adivasi / Adibasi, Crafts and visual arts, Cultural heritage, Literature and bibliographies, Modernity, Music and dance, Names and communities, Performing arts, Photos and slideshows, Press snippets, Success story, Tagore and rural culture | Tagged | Comments Off on Jamini Roy’s Santal Drummers