“It is by now common knowledge that Adivasi artistic-creative traditions have been organically interwoven into a total way of life, which has, over generations, been developed on the basis of an eco-centric world view that considers the human world and nature as parts of the same continuum. Such traditions, whether wall/floor decorations, iconography, fine and/or performing arts, are deeply related to one another, and all of them are related to the everyday Adivasi way of life.” – Jayasri Banerjee in “Adivasi music and the public stage” (Indian Folklife, January 2002)
https://indiantribalheritage.org/?p=6448
The present in-depth study by Dr. Onkar Prasad of Santal Music in the context of socio-cultural life of Santals is the outcome of extensive field work. […] It highlights Santals’ organic relationship with [their] instruments looking upon them as living beings and a means to establish communication with non-living entities. […] [They] do not view their … Read more
The Ever Living Museum at Mawshbuit, located a stone’s throw away from Shillong, Meghalaya, is well known for its collection of the region’s natural and cultural heritage including crafts and fossils dating back decades and some, even centuries ago. But how many amongst us would know about the person behind this magnificent Museum that perfectly … Read more
Please note: India has far more museums and archives with “tribal collections” than can be shown here. Smaller collections are rarely advertised in tourist brochures or on the internet yet accessible by appointment (e.g. anthropology departments and research institutions). Collections and documentations of musical instruments are also found in the premises of the Sangeet Natak Akademi (New Delhi), exhibitions at some of the Zonal Cultural Centres (Government of India), and in … Read more