Tribal Cultural Heritage in India
Showcasing new initiatives in education
“It is by now common knowledge that Adivasi artistic-creative traditions have been organically interwoven into a total way of life, which has, over generations, been developed on the basis of an eco-centric world view that considers the human world and nature as parts of the same continuum. Such traditions, whether wall/floor decorations, iconography, fine and/or performing arts, are deeply related to one another, and all of them are related to the everyday Adivasi way of life.” – Jayasri Banerjee in “Adivasi music and the public stage” (Indian Folklife, January 2002)
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In Kairabani [Arnold Bake] photographed Santali pupils playing their instruments at the mission, but he seems to have been dissatisfied with the sober ambience of the premises. To also have …
[…] Conceived by Ratnaboli Bose, Project Daricha traces the roots of performing arts like Jhumur and Raibneshe, crafts like kantha and lac dolls, art forms like alpona and patachitra and more. …
The instrument uses bamboo for the neck, dried and hollowed gourds for resonators, human hair or animal nerves for strings, and pangolin scales for frets which are fixed using honey-wax. …
This Inventory, if not an exhaustive listing of the rich diversity of the materials, is nonetheless a definite invitation for researchers and institutions engaged in conservation of tribal culture for …
Places like Kerala where there were numerous sacred groves and related culture, are ecologically disturbed now due to ill conceived developments chartered out by those who did not have any …
The Regional Centre of Tribal Cultural Research and Training Institute (TCR&TI) has laid renewed focus on preserving and popularising the rich collection of objects and artefacts of tribal communities at …
PAPPU VENUGOPALA RAO The focus was on music history, its religious aspects and some unique technical nuances. […] Kota Drums: The first lecture was by Prof. Richard Wolf of the …