Category Archives: Musicology

“Cultural music and dance forms among the adivasis have evolved over centuries. Beautified by elements and nuances of their surroundings, these forms depict their very lifestyles. Played for hours together in the same tempo, music is an integral part of celebrations and mourning. […] Each instrument has a purpose and belief related to it and they call for agile fingers, sturdy nails and strength of breath. Chaudhari who hails from Padamdungri, mentioned how the playing of Dera – exclusively a woman’s art – is now almost non-existent.” – Vikram Chaudhari interviewed by Ashleshaa Khurana for Times Of India (30 January 2014)
https://indiantribalheritage.org/?p=13780

“[G]reeting songs, lullabies, love and courtship songs, ballads, and humorous songs […] might well be completely unaccompanied, or accompanied by just a drum. Sometimes the male musicians play one-stringed, long-necked lutes, which provide a drone. Certain tribes, however, have stringed melody instruments, either a small fiddle or a stick zither with attached resonators, and these may be used to accompany the songs. This stick zither may well have been the prototype of the vina depicted in miniature paintings during the Muslim period.” – NA Jairazbhoy, “Tribal, Folk and Devotional Music” in: A Cultural History of India (London: Oxford University Press 1975)
https://indiantribalheritage.org/?p=3488

“Tribal and folk music is not taught in the same way that Indian classical music is taught.” – David Courtney
https://chandrakantha.com/articles/indian_music/folk_music.html
https://indiantribalheritage.org/?p=13574

“It is by now common knowledge that Adivasi artistic-creative traditions have been organically interwoven into a total way of life, which has, over generations, been developed on the basis of an eco-centric world view that considers the human world and nature as parts of the same continuum. Such traditions, whether wall/floor decorations, iconography, fine and/or performing arts, are deeply related to one another, and all of them are related to the everyday Adivasi way of life.” –  Jayasri Banerjee in “Adivasi music and the public stage” (Indian Folklife, January 2002)
https://indiantribalheritage.org/?p=6448

eLearning | “Cadence and Counterpoint: Documenting Santal Musical Traditions” – A virtual exhibition on Google Cultural Institute

The Santals are known for their rich seren-enec, or song dance traditions. Music, dance, song and poetry are integral to Santal culture, intimately related to the seasons, festivals and rites of passage. It is said that amongst the Santals there … Continue reading

Posted in Anthropology, Audio resources - external, Childhood and children, Crafts and visual arts, Cultural heritage, Customs, Dress and ornaments, Eastern region – Eastern Zonal Council, Education and literacy, eLearning, Museum collections - general, Museum collections - India, Music and dance, Musicology, Names and communities, Photos and slideshows, Puppetry, Resources, Seasons and festivals, Storytelling, Tips, Video resources - external, Worship and rituals | Tagged | Comments Off on eLearning | “Cadence and Counterpoint: Documenting Santal Musical Traditions” – A virtual exhibition on Google Cultural Institute

Video | Tribes in Transition-III: “Indigenous Cultures in the Digital Era”

Courtesy Dr. Ivy Hansdak, Assistant Professor, Department of English, Jamia Millia Islamia University New Delhi (email 30 September 2021)

Posted in Andaman and Nicobar Islands, eBook eJournal PDF, Education and literacy, Endangered language, Internet, Languages and linguistic heritage, Literature and bibliographies, Misconceptions, Modernity, Musicology, Networking, Organizations, Revival of traditions, Tribal elders, Tribal identity, Video resources - external | Comments Off on Video | Tribes in Transition-III: “Indigenous Cultures in the Digital Era”

India’s tribal, folk and devotional music: Secular and ceremonial songs – An overview

“Tribal, Folk and Devotional Music”by NA Jairazbhoy in AL Basham (ed.). A Cultural History of India. London: Oxford University Press, 1975, pp. 234-237. Excerpt from Chapter XVI Music (pp. 212-242): Classical music is the most refined and sophisticated music to be … Continue reading

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A community whose drumming is associated with Chola, Chera and the Pandya kings – Tamil Nadu

The Hindu, Friday Review, November 03, 2016 | To read the full article and view a larger image, click here >> Thudumbu and Thudumbattam are played at temple festivals in and around Coimbatore. We went to Coimbatore for a concert but decided to stay back … Continue reading

Posted in History, Museum collections - India, Music and dance, Musicology, Names and communities, Nature and wildlife, Nilgiri, Photos and slideshows, Press snippets, Revival of traditions, Seasons and festivals, Southern region – Southern Zonal Council, Success story | Tagged | Comments Off on A community whose drumming is associated with Chola, Chera and the Pandya kings – Tamil Nadu

eJournal | Impact of public presentations of Adivasi (Santal) music – West Bengal

Adivasi music and the public stageBy Jayasri Banerjee These days, no festival or utsav is considered complete without some sort of folk music or dance. The idea of presenting the music and dance traditions of the Adivasis in a public forum is generally … Continue reading

Posted in Adivasi / Adibasi, Commentary, Crafts and visual arts, Cultural heritage, Customs, eBook eJournal PDF, Misconceptions, Modernity, Music and dance, Musicology, Names and communities, Nature and wildlife, Performing arts, Quotes, Seasons and festivals, Tribal identity, Worship and rituals | Tagged | Comments Off on eJournal | Impact of public presentations of Adivasi (Santal) music – West Bengal