“It is by now common knowledge that Adivasi artistic-creative traditions have been organically interwoven into a total way of life, which has, over generations, been developed on the basis of an eco-centric world view that considers the human world and nature as parts of the same continuum. Such traditions, whether wall/floor decorations, iconography, fine and/or performing arts, are deeply related to one another, and all of them are related to the everyday Adivasi way of life.” – Jayasri Banerjee in “Adivasi music and the public stage” (Indian Folklife, January 2002)
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Places like Kerala where there were numerous sacred groves and related culture, are ecologically disturbed now due to ill conceived developments chartered out by those who did not have any …
The Regional Centre of Tribal Cultural Research and Training Institute (TCR&TI) has laid renewed focus on preserving and popularising the rich collection of objects and artefacts of tribal communities at …
PAPPU VENUGOPALA RAO The focus was on music history, its religious aspects and some unique technical nuances. […] Kota Drums: The first lecture was by Prof. Richard Wolf of the …
Listen to “Konjenetre bommeyetre mānte nōṭē” and other beautiful songs of the Kota community (with detailed explanations) on Kota God Song >> Richard K. Wolf (Harvard University) and Frank Heidemann …
The hill-tribes have a natural fondness for music and they are known for the preservation of ancient culture. The Pulayar tribe describe their melodies as talams. According to them, their …
Source: Sacred Record by Suanshu Khurana, Indian Express, New Delhi, April 26, 2015Address: https://indianexpress.com/article/entertainment/sacred-record/Date Visited: 19 February 2021 Documenting the rich and distinct traditions of the Santal tribe, an ongoing …