Ancestors, social values and clan practices: Cultural identity transmitted through the weaves of the North-East – Seven Sister States

Photo © Livemint “Folklore, myths and handloom” | Dress and ornaments >>

Folklore, myths and handloom

Hidden within the colour, weave and design of tribal textiles are many legends

If you were to look beyond the visible landscape of a weave, you would find myriad stories hidden in the colours and designs—tales about human creation, magical deities and kindred forest spirits. These patterns offer tangible evidence of legends that have been passed down orally in each tribe over centuries. It makes them truly significant in the study of the region’s sociocultural fabric. […]

Today, the dual onslaught of commercialization and urbanization, means that weavers are being forced to churn out designs which cater to the demands of the market, rather than those which focus on their folk traditions. “However, there is now a growing movement to preserve indigenous identity, and some serious attempts are being made to revive age-old customs, rites and stories by a conscious few within society,” says Ramona Sangma, a professor of English at the North-Eastern Hill University who has presented papers on the link between folklore and weaving in the Garo tribe. Today, folklorists, anthropologists and sociocultural experts have intensified efforts to trace the imprints of myths, legends, ballads, songs and folk narratives in the weaves of the North-East.

Each pattern is a little capsule of information—containing tales of ancestors, social values, clan practices, and more. Sangma cites the example of the dakmanda, a modern Garo wrap. […]

It has also been observed that the one thing common to most weaves and motifs is the role of women as creators. “When I was the co-chairperson of the working group in handloom sector for the 12th Five-Year Plan, our research revealed that 80% of the weaving was done by women,” says textile historian Jasleen Dhamija. It is their hand that shapes the folk narrative in each weave—from the birthing garments to the shrouds of death. “When women from the household would work at the loom, their designs would emerge from their world view, understanding of oral traditions, folktales, the surrounding sacred groves, and more,” says Meeta Deka, professor and former head, department of history, at Gauhati University, Assam. […]

Within some communities, designs are also markers of age and marital status. For instance, Wekoweu Tsuhah, programme manager of the North East Network, a women’s rights organization, cites the example of the mahapulu, meant only for unmarried girls. “Married women wear a different pattern. This style features a different colour for women of different ages—young married girls, middle-aged women, old ladies, widows, et cetera,” says Tsuhah, who is based in Chizami village, Nagaland, and works with the weavers there. Many of the Chizami weave designs are abstracts and inspired by symbols, signs and everyday lives. […]

Source: Avantika Bhuyan, Livemint, 1 December 2017 | Read the full report here >>
URL: https://www.livemint.com/Leisure/FR23TDZqwz1hDYOlB5mRSN/Folklore-myths-and-handloom.html
Date Accessed: 11 July 2020

Photo © Indian Express >>

Kallol Dey, Indian Express, January 7, 2018 | To read the full report and view more photos, click here >>

“Guide me through the day, show me the way as I begin another day”. Yose Chaya begins his day with this simple prayer. “God is watching over us and knows everything. We do not have to say lengthy prayers, like the Christians,” he quips. 73-year-old Chaya, the muscular physique belying his age, is one of the elders of Viswema, a southern Angami village 22 kilometres south of Kohima, bound on the west by the pristine and famed Dzukoü Valley. Contrary to popular belief that all Angami Nagas are Christians, Chaya is one of the few in Viswema who has not converted to Christianity. […]

Dr. Easterine Kire, who is a fifth generation Angami Naga Christian says that “Nagas, particularly Angamis do not see Christianity as an alien religion as Christianity is now in the fifth generation.” Naga Christianity is highly nativised, Kire categorically states, “in the sense that it has adapted to the Naga way of understanding things and applying them.”

Source: https://indianexpress.com/article/north-east-india/nagaland/in-christian-nagaland-indigenous-religion-of-pre-christian-nagas-withstand-test-of-time-5010777/ |

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“The uniqueness of northeast states of India lies in their cultures” | Learn more about the Seven Sister States >>

Learn more about India’s eight North Eastern states: The “Seven Sister States” & Sikkim

  1. Arunachal Pradesh
  2. Assam
  3. Manipur
  4. Meghalaya
  5. Mizoram
  6. Nagaland
  7. Tripura
  8. Sikkim

Search tips: for up-to-date reports about this region’s cultural heritage, combine the name of any state with that of some of its communities or languages; or with any topic of special interest to you: e.g. “Arunachala Pradesh weaving”, “Manipur tattoo”, “Meghalaya poetry”, “Sikkim biodiversity”, “Mizoram education”, “Sikkim music” etc.

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List of websites covered by this Google custom search engine

  1. Academia.edu (platform for academics to share research papers) – www.academia.edu
  2. Archive.org – https://archive.org
  3. Asia Society – https://asiasociety.org
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  5. Harnessing Nature (IUCN Commission on Ecosystem Management South Asia Regional Network) – https://harnessingnatureblog.wordpress.com
  6. International Institute for Asian Studies – www.iias.nl
  7. M S Swaminathan Research Foundation – www.mssrf.org
  8. Navdanya (protecting India’s biodiversity based food heritage) – https://navdanya.org
  9. Third World Network (Penang, Malaysia) – https://twn.my
  10. The Shola Trust (nature conservation in the Nilgiri region) – www.thesholatrust.org

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