Tip | Understanding the social and cultural context for India’s tribal communities – Facts & news roundup

The future belongs to India-the largest vibrant democracy in the world, teeming with opportunities. With hope in their eyes and a yearning to learn, the youth of this great nation awaits a new paradigm of education that fosters knowledge with analytical skills, logical reasoning and the ability to imagine beyond the given.

Source: Government of India, Ministry of Human Resource Development
Address: http://mhrd.gov.in/
Date Visited: Mon Sep 11 2017 19:36:35 GMT+0200 (CEST)

The disadvantage faced by girls and children belonging to Scheduled Cast and Scheduled tribes has its basis cultural and traditional factors as well as social discrimination at the school. | To read the full report, click here >>

Source: Write up on Equity Under RMSA with Reference to Framework & Working Group.doc – Write up on Equity Under RMSA with Reference to Framework & Working Group.pdf
Date Visited: Mon Sep 11 2017 19:33:49 GMT+0200 (CEST)

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Ivy Imogene Hansdak on the state of Santal culture and Santali in modern India

Excerpts from a conversation between Dr. Ivy Imogene Hansdak: Poet, Translator and Assistant Professor Jamia Millia Islamia, New Delhi, India with Audun Nedrelid: Freelance Norwegian writer, artist, musician and filmmaker | Read the full interview >>

“I think the Santals have a very characteristic culture. Although we do not have our own script yet we have our own language that has been there for centuries. It is a complex language where you can be very expressive. We also have music and dance, and we have our own customs.”

Asked whether she is afraid that the Santali language will disappear:
“I don’t think so, but you never know. When you look at schools and universities in urban areas, children do not learn Santali. They are told that they must learn English and Hindi because these are the languages that will give them success in life. When I talk to friends about this, we usually agree that it is the poor villagers who will keep the Santali language alive. They are the ones who speak the language. It is not the script that keeps a language alive – it is the act of speaking. I am a person who knows several languages and use them all in different contexts, but for the villagers, Santali is the only language they can speak.”

On interest in folklore in Santal society:
“There is probably some interest, but now we live in a world of rapid development in the media. We cannot let our culture and society stop. Folklore was what we had, but we have also evolved. We live in a world where we all use mobile phones and Facebook. We are spread across much of India like Assam, Bengal, Jharkhand and Odisha as well as Bangladesh and Nepal. Everyone has different influences from where they live and change in different directions. The Santals in Assam are very different from, for example, me and the Santals in Odisha are struggling to use a new form of writing while others use the Latin alphabet. We are all also influenced by different politicians, and with political influence we go in many different directions.”

Source: “Santal and Professor: A Conversation with Dr. Ivy Imogene Hansdak” by Freelance Norwegian writer, artist, musician and filmmaker Audun Nedrelid (The Johar Journal, Vol. II, January-June 2021, first published in the Norwegian magazine, Agenda 3:16, 9/2018)