An exhibition in New Delhi that gives a glimpse of diverse storytelling traditions in India.
IGNCA lay enveloped in an eerie silence during the mega cultural festival held during the just-concluded Commonwealth Games in the Capital. Security issues are believed to have spoilt the party. However, with ‘Akhyan’, an exhaustive month-long event put together by SNA and IGNCA presenting the fascinating storytelling traditions of India, the cultural centre seems to have regained its lost vigour.
The venue was abuzz with film shows, daily performances and live demonstrations showcasing the three varied performing traditions — masks, puppets and picture showmen. The three distinct artistic expressions meet on the ground that the stories they narrate either come from the Ramayan, the Mahabharat or the Puranas. […]
Scrolls
It is in the Patua scrolls of Kalighat that one witnesses traditional artists sans any interference negotiating contemporaneity for a long time. Jyotindra Jain, Member Secretary, IGNCA, says contemporary events began finding their way to the scrolls as early as the 1950s. “Nobody commissioned it but Kalighat painters made a scroll depicting the detrimental effects of cinema on the society of West Bengal in 1950. In a Santhal scroll displayed here, you see Shiva visiting a devotee’s house accompanied by two gunmen. The artist imagines him as a VIP and this was done almost 25 years ago.”
Patuas depicting the 9/11 attack and tsunami can also be seen. “Osama Bin Laden has been personified as an airplane and, like in the traditional mythological scroll where you have a scene depicting reward or punishment, Osama is depicted regretting what he did. “In the Pabuji ki Phad religious scroll style of Rajasthan, a few years ago an artist even painted the life story of Amitabh Bachchan which is now at a museum in Amsterdam.”
Source: “Stories behind the masks” by Shailaja Tripathi, The Hindu : Arts / Crafts, 4 November 2010
Address : https://www.thehindu.com/arts/crafts/article868711.ece
Date Visited: 19 February 2021
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A commemoration of times when the Santals had to defend
themselves and hide their identity behind masks
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