Audio | CBC Unreserved on “Decolonizing the classroom: Is there space for Indigenous knowledge in academia?” – Canada

“A plan to take away our future indigeneity [which] almost worked” – Kwagiulth master carver and artist Carey Newman and creator of the Carey Newman on his collection of memories >>

Priyamvada Gopal on the rights of indigenous peoples (Adivasi in India): Colonialiality is a dynamic we need to be alert for as much in the present even within so-called independent, decolonized countries [quote from 31:30 onwards]

Listen to the full episode including an interview with author Priyamvada Gopal (53:59) on CBC radio >>

Priyamvada Gopal’s book, Insurgent Empire, tells stories of how rebels in the colonies changed British attitudes about empire and democracy. The author believes if you lay claim to ideals of equality and social justice then, to be consistent, you must oppose all forms of colonialism.  […]

“The things done in your name, they will come back and bite you,” said Gopal.

Gopal believes the anti-colonial alternative of choosing not to dominate can have potentially great benefits.

“We do need to find a different way of relating to each other,” argued Gopal.

“If we don’t do that, if we don’t embrace sincerely the principles of egalitarianism, then we are headed for extinction.”

Priyamvada Gopal is a writer and commentator who teaches in the faculty of English at Cambridge University. Her most recent book is Insurgent Empire: Anticolonial Resistance and British Dissent. 

Source: If you support human rights you’re obliged to be an anti-colonialist, argues scholar
Date visited: 16 October 2019

Beyond Orange Shirt Day: Documenting the lasting impact of Indian Residential Schools

Kyle Muzyka · Posted: Oct 04, 2019 | View more photos and listen to this or other CBC Unreserved broadcasts >>

After the Truth and Reconciliation Commission called for commemoration initiatives, Kwagiulth master carver and artist Carey Newman spent four months thinking about what he’d submit — with little success.

Newman sat in his living room, and put his feet up on a wooden stool. He knew he wanted to work with objects that represented residential schools, but he wasn’t sure how to approach the project. 

He glanced down at his feet on the wooden stool, and he looked at how the wood was joined together.  “I had my a-ha moment,” he recalled. 
“If I gathered pieces of residential schools,” he said. “I could make a blanket out of them.” […]

Old bricks, doorknobs, braids of hair, rusted latches and nails are just a handful of the items that comprise The Witness Blanket. The 12-metre-long blanket is currently housed at the Canadian Museum for Human Rights in Winnipeg. Newman and his team visited roughly 80 communities and spoke with more than 10,000 people. The blanket was assembled from 600 objects and belongings. […]

Newman called The Witness Blanket the most important work he has undertaken. When he started work on the the blanket he hoped it would be a healing project for him, his family and others affected by residential schools. But the project exceeded his hopes.

The Witness Blanket helped bring Newman closer to his family including his father, a residential school survivor. 

Residential school survivors who have seen the blanket have told Newman that it helps carry their story into the future — a story that is often too hard for them to tell. […]

Newman’s work will be permanently displayed at the Canadian Museum for Human Rights, but he’s working on a replica that will travel across the country. “I hope that this exhibit continues the work that the blanket began. I hope that it can go further afield into places that the blanket couldn’t get to,” said Newman.

Newman hopes that the belongings that make up The Witness Blanket will give people “a sense of that tangibility of residential schools,” he said. 
“All of those objects were in schools. All of them are witnesses.”

Source: Bearing witness: Artist turns gathered objects into monument to residential school survivors
Date visited: 9 October 2019

[Bold typeface added above for emphasis]

Inspiring human rights, reflection and dialogue.
The Museum fosters an appreciation for the importance of human rights, spurs informed dialogue and invites participants to identify the contemporary relevance of past and present human rights events, both at home and abroad. The Museum exemplifies Canadians’ commitment to freedom and democracy and aims to ignite an informed, ever-evolving global conversation. […]

As the world’s first museum dedicated to human rights, we are centred around the idea that respect and understanding of human rights can serve as a positive force for change in the world. >>

Education is the key to reconciliation

Education is what got us into this mess … but education is the key to reconciliation,” said Senator Murray Sinclair, who led the Truth and Reconciliation Commission [for Canada].

This week on Unreserved, three years after the release of the TRC’s final report, is there space for Indigenous knowledge in academia?

Student Danielle Bourque on why she doesn’t like being singled out for being First Nation in her graduate courses.

Professor Sheila Cote-Meeks wrote the book, Colonized Classrooms: Racism, Trauma and Resistance in Post-secondary Education, which looks at the experiences of Indigenous students and academics in post-secondary education.

Professor Eve Tuck weighs in on the challenges that face the academy as it strives to Indigenize.

Hayden King on the challenge facing Indigenous academics and faculty members as universities and colleges across the country look to hire more Indigenous faculty.

Mark Solomon makes the case for university faculties becoming more involved with surrounding Indigenous communities.

And Dr. Kyle Powys Whyte and Dr. Sarah Hunt discuss what it’s like for Indigenous academics to go through the peer review process.

The poet and host of CBC Radio’s “Unreserved” talks about sharing her mother’s story of residential school in her latest poetry collection.

5:15 “In the meantime I had this silent mother, I grew up with no mother really, I grew up with a person who fed me, clothed me […] she wasn’t there in many ways.”



Intelligent, Insightful, Indigenous. Stories, music, culture. Unreserved is the true voice of Indigenous Canada. Hosted by Rosanna Deerchild.

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Also listen to Lost and found: Indigenous music, culture, language and artifacts >>

Related posts

Residential, Ashram and Factory schools

Backgrounder & image © Economic Times >>
  • Ekalavya* Residential School Scheme (EMR): a network of boarding schools where tribal children are to be educated in accordance with rules and syllabi provided by the government; such schools are being designated as “Eklavya Model Residential School (EMR)” with the objective of empowering students “to be change agent, beginning in their school, in their homes, in their village and finally in a large context.”
  • Residential School and Ashram School
    In some regions there are similar “Residential Schools” and “Ashram Schools” for tribal children, as in Tripura where they are managed by a society called “Tripura Tribal Welfare Residential Educational Institutions Society (TTWREIS)”
  • Factory schools “exist to turn tribal and indigenous children – who have their own language and culture – into compliant workers-of-the-future. The world’s largest Factory School stated that it turns ‘Tax consumers into tax payers, liabilities into assets’.”– | Research this subject with the help of a Safe custom search engine >>

* Ekalavya (Eklavya, Eklabya): the name of a legendary archer prodigy “who, being a Nishada [Sanskrit Niṣāda, “tribal, hunter, mountaineer, degraded person, outcast”], had to give his thumb as a fee to the brahmin guru thus terminating his skill as an archer.” – Romila Thapar (“The epic of the Bharatas”) | Read the full paper here | Backup download link (pdf) >>

For posts relating to any of the above points, click here >>

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