(cement and laterite gravel)
at Santiniketan >>
Photo © Tribal Cultural Heritage in India Foundation
The Santhal family and the invention of a subaltern counterpublic
Morton, Stephen (2008) The Santhal family and the invention of a subaltern counterpublic. In, Dasgupta, Anshuman, Szewczyk, Monika and Watson, Grant (eds.) Santhal Family: Positions Around an Indian Sculpture. Antwerp, Belgium, Museum Van Hedendaagse Kunst Antwerp, 56-61.
Description/Abstract
With reference to the work of the South Asian Subaltern Studies historians, and to Mahasweta Devi’s short fiction, this essay traces the place of the subaltern as a subject of representation in Ramkinkar’s Baij’s 1937 public sculpture, Santhal Family. By visualising the plight of a subaltern group who have been excluded from the social and political life of the emergent postcolonial nation state in a style that articulates the aesthetic conventions of tribal art and European primitivism, the essay argues that Santhal Family supplements the emancipatory claims of elite nationalism from the historical perspective of the Santal, and gestures towards a subaltern counterpublic that remains to be invented.
Source: The Santhal family and the invention of a subaltern counterpublic – ePrints Soton
Address : http://eprints.soton.ac.uk/66095/
Date Visited: 30 April 2021
Publications on the above issues may be found here (title descriptions and libraries):
“Society as such has no ulterior purpose. It is an end in itself. It is a spontaneous self- expression of man as a social being. It is natural regulation of human relationships, so that men can develop ideals of life in cooperation with one another.” – Rabindranath Tagore quoted in Santiniketan: Birth of Another Cultural Space by Pulak Dutta (Santiniketan, 2015) p. 42 [from The English Writings of Rabindranath Tagore, Vol. II, Sahitya Akademi, New Delhi, 2004, p. 421]
Related posts
- Audio | Santali Traditional and Fusion Songs: Ghosaldanga Bishnubati Adibasi Trust – West Bengal
- Banam (Santal string instrument)
– Slideshow & eBook: Banam Making Workshop at Bishnubati | Daricha Foundation
– Video: Banam Raja | Interview with Nunulal Marndi | Reviving the Huka Banam - eBook | Free catalogue: Banam: One of the ancient musical instruments of the Santals
- eBook | Free catalogue: Museum of Santal Culture (Bishnubati) – West Bengal
- eBook | “Santals Celebrate the Seasons”: Creativity fostered by Ashadullapur Gramin Silpa & Sastha Bidhan Kendra – West Bengal
- India’s tribal, folk and devotional music: Secular and ceremonial songs
- eJournal | Writing and teaching Santali in different alphabets: A success story calling for a stronger sense of self-confidence
- Infusing the Santhali Element in Schooling by Rina Mukherji
- Museum collections – India
- Museum of Santal Culture Bishnubati
- Music album and video by Santal village children and youths (DVD, CD): “Children see world around them differently” – West Bengal & Odisha
- Music and dance | Adivasi music and the public stage by Jayasri Banerjee
- Puppetry | Santali Chadar Badni / Chadar Bad(o)ni”| Daricha Foundation
– eBook: Cadence-and-counterpoint-documenting-santal-musical-traditions
– Video: Damon Murmu | Sahadev Kisku | Shibdhan Murmu - Santal | Santal creation myth | Santal Parganas | The Santals by Boro Baski
- Santal cultural traditions documented on the Daricha Foundation website
- Santal flute music: Audio resource by Adivaani.org – West Bengal & Jharkhand
- Santali language | eBook | A Santali-English dictionary – Archive.org
- Santal mission | Santali songs recorded in 1931 at Kairabani (Jharkhand)
- Santal music | Santal Musical Traditions: National Museum (exhibition catalogue)
- Storytelling
- Video | Santali video album “Ale Ato” (Our Village)
- Video & eLearning | “Cadence and Counterpoint: Documenting Santal Musical Traditions” – A virtual exhibition on Google Cultural Institute