Poompattakalude Thazhvaram, which will release on Women’s Day [2013], will bring into focus the plight of adivasi women
It happened hours before the film was to start. A young, good-looking adivasi woman rushed through the gate of the theatre in Attappady. She was sobbing inconsolably, her face pressed against the wall of the building. When the theatre owner and his assistants asked her the reason for this unbridled sorrow she, in between sobs and tears, narrated what had happened to her. It left those listening to her stunned.
Women-oriented
V. M. Akhilesh, the theatre owner, could not get this off his mind. He told what he had heard to his friends V. H. Dirar and Rajesh Mohan. Dirar was in government service, did research on the adivasis in Attappady and Wayanad, sometimes doubling up as a freelance journalist. Much later, Dirar wrote a story based on this incident. Akhilesh sold his theatre in Attappady, had a long stint making ad films and turned to directing two films. And Rajesh Mohan went on to make his mark as a music director. […]
“This film is strongly woman-oriented. Though it speaks about an adivasi woman, the issue is universal. We have attempted to speak straight not metaphorically. The film moves through Rengi, played by newcomer Nima. In fact, Nima also plays her young daughter, Pappathi. Love, fall in values, plight of women, the film touches them all. That’s why we wanted this film to be released on Women’s Day,” says Akhilesh, who earlier directed Achante Ponnu Makal and Maya Kazchakal.
Shot entirely on locations at Attappady and Palakkad in about 26 days, the small-budget film introduces a host of new actors and technicians. […]
Poompattakalude Thazhvaram, the three friends hope, will reignite a debate on the plight of adivasi women, which the film attempts to portray. “After a long time, perhaps, our film will take the viewer back from the hustle and bustle of city life; from the new generation characters, from the glamour and glitz to issues that people, especially women, in places like Attappady and Wayanad confront. We hope we will be listened to,” says Dirar.
Source: “A woman’s struggle”: Poompattakalude Thazhvaram by Akhilesh reviewed by K. Pradeep, The Hindu, 7 March 2013
Address : https://www.thehindu.com/features/cinema/a-womans-struggle/article4485082.ece
Date Visited: 1 May 2023
[Bold typeface added above for emphasis]
“Two main streams within Indian anthropology influenced the literary and visual representations of tribes by mainstream writers, artists and film-makers.” – Dr. Ivy Hansdak clarifies how they are associated with “assimilationist” and “isolationist” positions or policies >>
Find publications by reputed authors (add “open access” for freely downloadable content)
PDF-repository: texts quoted & further reference (Google Drive) >>
See also
Biodiversity and development – Kerala
Childhood – Kerala | Childrens rights: UNICEF India | Safe search
Childrens rights: English or Malayalam (UNICEF India)
eBook | Background guide for education
Education and literacy | Right to education
Kerala | State wise ST list (Scheduled Tribes)
Recommendations by the Expert Committee on Tribal Health
Tribal schools and educational projects – Kerala
Video | M.S. Swaminathan on Biodiversity and the sharing of resources
Video | Trailer to “Have you seen the arana?” – Kerala
Vulnerable tribal groups – Kerala
Women | Safe search | President Droupadi Murmu on women’s empowerment