The peaceful agitation by Garo and Khasi communities: Challenging displacement and resenting the use of human exhibits in the name of “biodiversity conservation” – Bangladesh

CLEARINGHOUSE FOR REVIEWING ECOTOURISM, No. 17 To read the full article, click here >> […] The following documents outline the severe ramifications of a governmental “eco-park” programme on ethnic minority groups and their forested hill habitats in Bangladesh. The controversial scheme has become a significant national issue as civil society organizations as well as a number … Read more

A community whose members resist being treated as mere ‘objects’ of scientific studies: Apatani community to fight stereotypical depictions of their traditional practices – Arunachal Pradesh

Nitin Sethi, The Hindu, August 30, 2013

The Apatani community of Arunachal Pradesh sees red over a wildlife research article that paints their hunting practices with stereotypical colours

The Apatani community members in Arunachal Pradesh have protested against an article published by researchers of the Wildlife Institute of India in the Current Science journal. The article ‘Losing threatened and rare wildlife to hunting in Ziro valley, Arunachal Pradesh, India’ written by four wildlife researchers indicated that the Apatani people hunt primarily for subsistence.  […]

On most occasions, the research would have just got filed in to credit points for the researchers at India’s premier wildlife and conservation research centre. But a vigilant community leadership of the Apatani with the help of some other researchers took notice of the study and its sweeping statements. They came out to challenge the researchers not only for their conclusions but also their methods.

The critique was scathing. Members of NgunuZiro, a community organisation of the Apatani people, pointed out various discrepancies in the survey methodology due to which they claimed misleading conclusions were made. They noted, “According to the authors, semi-structured questionnaire designed for Asiatic Wild Dog Project was used in the survey. Interestingly, the questionnaire is claimed to have been applied in six Apatani villages with the help of an auto-rickshaw driver whose name does not sound like an Apatani name.” The researchers had mentioned one Rubo Tahi, a driver and another Manas Hazarika as field assistants who helped collect data. […]

The strong rebuttal from the Apatani people of scientific research, that too, in the ‘language of rational science and statistics’ is still a rare phenomenon in the world. Communities in the northeast, wary of being captured repeatedly in research to fit traditional stereotypes, have begun to argue back. For the wildlife research community, the perception and sweeping judgment over tribal communities’ traditional practices, its impact on wildlife and forests is also well documented. But assertive communities are now able to engage with the language of the academia; careful about how they are portrayed, they have begun to question not only the methods, the findings but also the stereotypical prescriptions often dished out too often. The Apatani fight back is one good example of the communities that no more accept being treated as merely  ‘objects’ of scientific studies.

Source: Hunting on hackneyed ideas – The Hindu
Address : http://www.thehindu.com/todays-paper/tp-national/hunting-on-hackneyed-ideas/article5073841.ece
Date Visited: Mon Sep 29 2014 16:43:03 GMT+0200 (CEST)

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“The artless beauty of tribal life and times” (Bastar): Interview with photographer Manoj Kumar Jain – Chhattisgarh

By Sunil Gupta, The Telegraph (www.telegraph.co.uk), 1 February 2010 Photograph: Muria Tribal Boys at the Benur Village weekly market by Manoj Kumar Jain, 2002 Artist and curator Sunil Gupta has distilled the history of photography in India, Pakistan and Bangladesh into a landmark exhibition at London’s Whitechapel Gallery. In a series of articles for the Telegraph.co.uk … Read more

An annual affair prone to hurting the sentiments of those communities it claims to represent: Live models have made a return at the ‘Adivasi Mela’ – Odisha

Debabrata Mohanty, indianexpress.com, Bhubaneswar, February 2, 2014 Live models have made a return, with an old Santhal tribal standing within his barricaded space playing the musical instrument kendara. | To read the full article, click here >> Two years after the Orissa government drew flak for bringing in around 250 tribals to pose as live models during … Read more

Tribal Museum Bhubaneswar: Founded as a “Museum of Man” to promote tribal development – Odisha

Pravukalyan Mohapatra, Orissa Review * September – October – 2005 | Read the full article >>

Museum of tribal arts and artifacts in Bhubaneswar has opened up a new vista into the future direction of Orissa’s tribal economy and culture. It would usher in a cultural renaissance in the State. The aim of setting up this museum is not only to help preserve tribal cultures from extinction but also to promote appreciation of a better understanding of tribal development vis-a-vis culture. It is in a way, an acceptance of the fact that no more can we afford casual approach to the life and living of our tribal brethren. Rather, we have to be more pragmatic and practical towards them than ever before.

The idea of setting up a tribal museum in SCSTRTI (Scheduled Cast and Scheduled Tribes Research and Training Institute) located at C.R.P.F. square, Bhubaneswar was originally conceived in 1987, but materialised on March 5, 2001. The exhibits of the museum represent the elementary human cultural values that had shaped our past, are determining our present and will be guiding our future. So the Museum of Tribal Arts and Artifacts can be conceptually labelled as “Museum of Man”. In common parlance, “Museum of Man” means an integrated institution which disseminates knowledge covering the human species in its totality. […]

This museum has approximately 1900 displayed tribal artifacts in five halls. They exhibit dresses and ornaments, dhokra items, dances and musical instruments, hunting implements, fishing
nets, weapons of offence and defence, personal belongings, arts and photographs. […]

The attraction of the arts and photographs section includes snaps like ‘shaman‘ and ‘animal‘ of Saora, Koya dancing girls, women of Bonda and Dongria Kondh with traditional costumes and sketches drawn by tribal children at school. […]

As tribals constitute a major segment (21.13% of total population, numbering 81.45 lakhs as per 2001 Census) of Orissa, non-tribals living in close proximity with them for centuries are considerably influenced by tribal traditions and cultures. Both tribals and non-tribals in Orissa are influenced by each other’s lifestyle to a great extent. That is why Orissan culture is an integrated, composite culture. The supreme God of Hindus, Lord Jagannath, had been the God of primitive tribe, Savaras or Saoras. Half-hewn  wooden deities of the adivasis (schedule tribes) have great iconographical similarity with Lord Jagannath, Balabhadra and Subhadra. The tribal society of Orissa has undergone great changes under the impact of new economic and political forces. In the name of development their society and culture should not be distorted or disintegrated. It is the duty and responsibility of the modern civilization to preserve the valuable ingredients of the endangered tribal culture and tradition with all its distinctiveness and purity. It is expected that the Museum of Tribal Arts and Artifacts will have a positive and constructive contribution towards this goal.

The writer is a Bhubaneswar-based freelance Journalist and he lives at Qr. No.VR 3/2, Unit-3, Bhubaneswar. 

Source: Tribal Museum – An Exotic.pdf
Address : http://orissa.gov.in/e-magazine/Orissareview/sept-oct-2005/engpdf/Tribal%20Museum%20-%20An%20Exotic.pdf
Date Visited: Sat May 10 2014 16:11:57 GMT+0200 (CEST)

[Bold typeface added above for emphasis]

Address
Tribal Museum Bhubaneswar
Gopabandhu Nagar
Bhubaneshwar, OD 751008

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