Exhibition photo courtesy Dr. Ruchira Ghose and Project Management Unit, National Museum © 2015 | Video & virtual exhibition >>
Cadence and Counterpoint: Documenting Santal Musical Traditions
On view at the National Museum from 15 April till 17 May 2015
Exhibition catalogue of the same title by Dr. Ruchira Ghose and Dr. Marie Eve Celio Scheurer (eds.)
The exhibition – a collaboration between National Museum, New Delhi and Museum Rietberg, Zurich and Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal – was an eye into the world of the Santal community, its rich culture and musical traditions. It was curated by Dr Ruchira Ghose, Dr Marie-Eve Celio-Scheurer and Dr Johannes Beltz. It brought to public view aspects of the intangible and tangible heritage of the Santal community in India, especially Santal musical traditions.
The Santals comprise the single largest tribal community in India. Though spread across the eastern states — Jharkhand, West Bengal, Odisha, Bihar and beyond — they form a distinct geography and culture.
The Santals are best known for their rich traditions of dance and music, especially the latter, which has influenced mainstream music in India. Their very distinct culture has attracted researchers, scholars, travellers and explorers into their midst, who have brought back Santal stories and objects.
The exhibition presented three types of objects related to the Santal musical tradition. The first are the musical instruments, amongst which is the most important Banam. A bowed monochord and the only Santal instrument to be categorized as a chordophone, the Banam is carved out of a single piece of soft wood.
Also displayed were the drums, the Tamak and the Madal, and different flutes, of the Santal community.
The third set of objects in the exhibition was the Jadupatua, or scroll painting. While these paintings are not made by the Santal, they are made for them by another community.
An important part of the exhibition was the documentation of Santal traditions over time. Photographs, some taken by well known musicologists such as Alain Daniélou and Deben Bhattacharya, document the Santal community from 1950s onwards. Original audio records from 1914 and videos, from the late 1960s up to the present time, were also part of the documentation.
The exhibition also featured the lively but languishing art form of the Santal community, the Chadar Badar. This is a unique form of puppetry done on a set with a long pole as base. Rows of beautifully carved wooden puppets dance in formation with the pull of a string and attached mechanism. This performance closely resembles the actual folk dance of the Santal.
Date Visited: Sat May 16 2015 19:27:48 GMT+0200 (CEST)
Please use this search window to find books published in India, by the above mentioned author(s) and others on related issues:
Find publications on these issues by reputed authors including Open Access (free download): Worldcat.org >>
- Audio | Santali Traditional and Fusion Songs: Ghosaldanga Bishnubati Adibasi Trust – West Bengal
- Banam (Santal string instrument)
– Slideshow & eBook: Banam Making Workshop at Bishnubati | Daricha Foundation
– Video: Banam Raja | Interview with Nunulal Marndi | Reviving the Huka Banam
- eBook | Free catalogue: Banam: One of the ancient musical instruments of the Santals
- eBook | Free catalogue: Museum of Santal Culture (Bishnubati) – West Bengal
- eBook | “Santals Celebrate the Seasons”: Creativity fostered by Ashadullapur Gramin Silpa & Sastha Bidhan Kendra – West Bengal
- India’s tribal, folk and devotional music: Secular and ceremonial songs
- eJournal | Writing and teaching Santali in different alphabets: A success story calling for a stronger sense of self-confidence
- Infusing the Santhali Element in Schooling by Rina Mukherji
- Museum collections – India
- Museum of Santal Culture Bishnubati
- Music album and video by Santal village children and youths (DVD, CD): “Children see world around them differently” – West Bengal & Odisha
- Music and dance | Adivasi music and the public stage by Jayasri Banerjee
- Puppetry | Santali Chadar Badni / Chadar Bad(o)ni”| Daricha Foundation
– eBook: Cadence-and-counterpoint-documenting-santal-musical-traditions
– Video: Damon Murmu | Sahadev Kisku | Shibdhan Murmu
- Santal | Santal creation myth | Santal Parganas | The Santals by Boro Baski
- Santal cultural traditions documented on the Daricha Foundation website
- Santal flute music: Audio resource by Adivaani.org – West Bengal & Jharkhand
- Santali language | eBook | A Santali-English dictionary – Archive.org
- Santal mission | Santali songs recorded in 1931 at Kairabani (Jharkhand)
- Santal music | Santal Musical Traditions: National Museum (exhibition catalogue)
- Video | Santali video album “Ale Ato” (Our Village)
- Video & eLearning | “Cadence and Counterpoint: Documenting Santal Musical Traditions” – A virtual exhibition on Google Cultural Institute
Tips for using interactive maps
- toggle to normal view (from reader view) should the interactive map not be displayed by your tablet, smartphone or pc browser
- for details and hyperlinks click on the rectangular button (left on the map’s header)
- scroll and click on one of the markers for information of special interest
- explore India’s tribal cultural heritage with the help of another interactive map >>