A rare opportunity to interact with tribal masters of an ancient and complicated art: Workshop on making Dokra metal artefacts – Chhattisgarh, West Bengal, Jharkhand & Orissa

A group of students were huddled together under one of the sheds at the National Crafts Museum recently […]

Dokra art, an ancient method of making metal artefacts is supposed to be 4,000 to 5,000 years old and is usually associated with tribal population living in Chhattisgarh, West Bengal, Jharkhand and Orissa. The complicated, manifold process requires right participation and measurement at every stage of the making, something Pradha has been effortlessly doing for the past 25 years.

“I was basically a farmer’s son. But one day, I just took to this process and made some decorative items. People were impressed by the outcome, as it is a difficult craft to master and I managed to get it right in one go,” recollects Pradha who lives in Chhattisgarh.

Pradha, along with his son, was in the capital for a week-long workshop ‘SwayamShilp’, organised by Jindal Steel and Power Limited (JSPL) Foundation to provide artists from the tribal hinterland of the country a platform to preserve and propagate their art forms. […]

According to Vipeksha Gupta, an artist and a participant, getting to interact with the artists directly for tribal art is very rare. “You can get in touch with modern and contemporary artists, but to meet the tribal artist and learn from him directly is a good experience,” Gupta tells Metrolife.

Most of the tribal art forms derive inspiration from local folklores and tales, and so is the case with Dokra art, motifs of which are inspired by indigenous folk culture. However, the making process is multi-layered and uses natural materials to give it a shape.

According to Pradha, the most authentic and organic way of making these artefacts begins with using termite mounds, easily available in forests and open space, mixing it with rice husk and kneading it like a dough. […]

The mould is then cooked over a furnace where the wax melts and drains out from the opening. After this, molten metal (mainly brass and bronze) is poured inside the duct of the mould. It is allowed to settle for some time and the cast is then broken, giving way to an elegant figurine. […]

“It is impossible to replicate the design because of the multi-layered process,” he says.

Source: Charming intricacies of Dokra art
Address: http://www.deccanherald.com/content/494654/charming-intricacies-dokra-art.html
Date Visited: Fri May 27 2016 20:54:33 GMT+0200 (CEST)

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