“Rethinking tribals”: Articles on Adivasi culture in Folio Special issue

Ever since the Portuguese travel writers and missionaries decided to describe the vast variety of ethnic and occupational groups and sects of the Indian subcontinent in terms of “caste” and “tribe”, the terms have stuck to society as long-worn masks that start becoming one’s real personality. The result is that today no Indian describes society … Read more

The main festival celebrated of the Santal community (December-January): Sorhae “thanksgiving” – West Bengal, Jharkhand, Assam, Nepal, and Bangladesh

Singing and Dancing, a Festivity of Unity By Boro Baski | Translated by Joel Tudu Sorhae is the biggest festival of the Santals. The Santals of Malda, Murshidabad, Dinajpur, Birbhum, Bardhaman district, together with the Santals of Jharkhand, Assam, Nepal, and Bangladesh, celebrate this festival with various rituals, singing and dancing towards the end of Bengali … Read more

Bhil communities’ success story: Reviving the custom known as “halma” to conserve water – Madhya Pradesh

Ritesh Mishra, Hindustan Times, Indore, 13-3-16 Halma has united tribes people to conserve environment and water Until now, tribes people have planted more than 11,000 trees in 110 villages, repaired more than 250 hand pumps and dug more than three dozen big ponds in the region, under the drive. More than 10,000 Bhil tribes people from more than … Read more

Exclusive right for commercial production of Singpho community’s traditional rice varieties – Assam

Sushanta Talukdar, Guwahati, June 19, 2011 Cooked Miaotong rice remains fresh for at least three days Two traditional rice varieties produced by the Singphos — Miaotong and Khawlung, used in making topola bhaat, a delicacy of the tribe and popular with tourists — are set to earn the status of being the first registered farmers’ variety … Read more

Video & Slideshow | “Visible Work, Invisible Women” by photographer P. Sainath

‘Visible Work, Invisible Women’, is a fully curated, online still-photo exhibition. This video tour takes viewers around the entire physical exhibition, with original photographs and texts reproduced below as an article. All the photographs were shot by P. Sainath across ten Indian states between 1993 and 2002. These roughly span the first decade of the … Read more