‘Girijan Utsav’ (Nellore district): A festival of tribal people living in the Penchalakona hill region designed “to keep alive their traditions” – Andhra Pradesh

The Hindu, NELLORE, February 5, 2015 A well-planned ‘Girijan Utsav’, a festival of tribal people living in hill forests, is considered as the best proposition to bring together the different tribes and keep alive their traditions at Penchalakona hill region in Nellore district. Considering the historical significance of Penusila Narasimha Swamy Temple and the legend surrounding … Read more

Cadence and Counterpoint, Documenting Santal Musical Traditions: An exhibition and publication “conferring upon ethnic and tribal art recognition and dignity” – New Delhi

SHAILAJA TRIPATHI, The Hindu, April 23, 2015 “An extensive exhibition of Santhal music explores the changing face of the distinct tradition and why we need to restore it to its original form” The exhibition at the National Museum till May 17 On 15 April 2015 the exhibition “Cadence and Counterpoint: Documenting Santal Musical Traditions” was … Read more

Bengali folk culture explained by the Daricha Foundation – West Bengal

Daricha-WB-Folk-Tribal-Screen-Shot.jpg

For centuries together, folk arts and crafts occupied a conspicuous position in the life of the rural people of Bengal. Though customs, beliefs and rituals varied widely, traditional story-telling, dancing, singing, festivities and ceremonies along with processions and social gatherings were universally prevalent.

West Bengal was once part of a greater Bengal which included all of Bangladesh and parts of Assam and Tripura in the east and parts of Odisha, Bihar and Jharkhand in the west. | To read the full article and view a series of photos, click here >>

Source: Daricha Foundation
Address: http://www.daricha.org/regions.aspx?ID=1&Name=West%20Bengal
Date Visited: Wed Mar 11 2015 12:00:31 GMT+0100 (CET)

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Video | ‘Pawari’, an instrument essential to tribal culture: The life and music of adivasis in Dang – Gujarat

To read the full story and view more photos, click here >>

‘Pawari’, is a traditional instrument of the Dangis. It has been regularly used in all the prominent functions and festivals in Dang. In Dhule of Maharashtra, Pawari has been used mainly in weddings. But in Dang, it is frequently used, especially in the Dang Durbar, a spectacular annual festival held in the district for three days during Holi. Today, however, only a very few individuals play it.

The Pawari is made of wood obtained from locally grown trees, with a beak like structure attached and painted in bright blue-silver combination. […]

Each tune emerging from the instrument resembled some instrument – Indian, European and host of other things we could not identify. Ramdas boasted that his father had played it in all of the tribal festivals and annual celebrations around the totems. He was then speaking about the essential tribal culture which he took pride in, without realizing that minutes ago he was all praise for the Hindutva which had treated the tribals as Rakshasas and Kirathakas.

 

(I came across this instrument, Pawari, during my field visits in an internship with Centre for Social Justice (June 2013). It is an organization that is primarily working for the welfare of the tribals in Dang district, Gujarat.)

Source: The life and music of adivasis in Dang, Gujarat
Address : http://www.ruralindiaonline.org/articles/the-life-and-music-of-adivasis-in-dang-gujarat/
Date Visited: Thu Jan 29 2015 15:32:47 GMT+0100 (CET)

Learn more about Adivasi culture and daily life here: http://www.ruralindiaonline.org/categories/adivasis >>

Public access to PARI is free. The site is run by The CounterMedia Trust. A more informal body, the CounterMedia Network, supports and funds the Trust and its primary activity through membership fees, volunteer work, donations, and direct personal contributions. This voluntary network of reporters, professional filmmakers, film editors, photographers, documentary makers, television, online and print journalists, represents PARI’s biggest asset. Besides, academics, teachers, researchers, techies and professionals from many other fields have also donated their expertise free of charge to establish the entity and design the site. PARI will need money to create content beyond what we can get done free, and will aim at crowdsourcing for that. Rural India can never be fully ‘captured’ and the content up on this site consists of fragments of many giant realities. We can expand our coverage of those many worlds only with the widest possible public participation.

Source: About PARI
Address : http://www.ruralindiaonline.org/about/
Date Visited: Thu Jan 29 2015 19:24:10 GMT+0100 (CET)

Sandeep Silas, The Hindu, 

SAPUTARA Gujarat’s only hill station offers a welcome respite from urban greyness

[…] We reached the entrance to Saputara, 1,000 metres above sea level, the only hill station of Gujarat. The district, Dang, is predominantly tribal. Music from an instrument called the ‘pavrivadan’, made out of bottle gourd, welcomed us. Hindu mythology says that Lord Ram spent 11 years of exile in the dense forests of Saputara; the story of the woman feeding jujube to Ram is rooted to a place called Shabridham, about 80 kms from here. There is a statue of a serpent deity on the banks of the river Sarpaganga, who’s worshipped by the local tribals. Saputara has a lake in the middle of the hills. […]

Source: Over and above – The Hindu
Address : http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/over-and-above/article4327190.ece
Date Visited: Thu Jan 29 2015 19:36:03 GMT+0100 (CET)

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The Baha Parab “flower festival” of the Santals: A large mural created by village artists to express their cultural identity – West Bengal

  Baha The Baha Parab is the Flower Festival of the Santals, celebrated in the beginning of spring. The ritual observed revolves around man’s communion with nature and the celebration of beauty. The Naike (Santal priest) and other villagers offer a Sal flower to every family of the village. A Santal woman receives flowers in … Read more