eJournal | Tribes in Transition-III: “Digitizing Adivasidom: Prejudices and Performances”
Courtesy Dr. Ivy Hansdak, Assistant Professor, Department of English, Jamia Millia Islamia University New Delhi (email 21 October 2021)
Worship & rituals
“Bomman thatha told me that our gods live in stones, big rocks and trees. We won’t cut aal maram (Ficus religiosa) because gods will be in that tree. Even the water in the area around the tree should be used neatly and not destroyed. In our community our god Ajji (grandmother) lives in Ellamalai mountain. She is also called Thrithri Eributham. […] Before fishing or taking tubers, we will pray to god and only then we will take it.” – Wildlife conservationist Ramesh in “Bomman thatha and his forest”, a conversation with his grandfather on “bonding between adivasi people and the forest” (At the Edge of Existence, 29 October 2014)
https://cultureandconservation.wordpress.com/2014/10/29/bomman-thatha-and-his-forest/
https://indiantribalheritage.org/?p=8262
The Koli (Kori, Kol), aboriginal communities found “from Kashmir to Kanya Kumari”: Representations from ancient epics to freedom struggle and modern India
[…] It is interesting to note that Koris trace their history to the past where all present day downtrodden reach. This again bursts the myth that there was an amicable agreement between Asuras (aboriginals of Harappan Civilization and Indus Valley Civilization) and Suras who came from Iran. There are myths indicating that Asuras were made … Read more
eJournal | “Environmental groups and movements have been at the forefront of efforts to democratize state institutions”
[…] In India, as elsewhere, colonialism is “first, foremost and always” about land. As in North America and Africa, the policing of reserve forests has often resulted in what amounts to ethnic cleansing, with Indigenous peoples being evicted from their homelands for the benefit of the tourism industry and its urban, middle-class clients. Displaced Adivasis … Read more
Barao Dance and music – Jharkhand
The richness and variety of the Barao Dance and music is remarkable. The Oraon community of the state, who are mainly concentrated in the Hazaribagh Goomla area, performs this dance. The high table land is thickly dotted with hills and hillocks. The Oraons call themselves Kuruk. The ten lakh strong Oraon population of Jharkhand has … Read more
eLearning | “Cadence and Counterpoint: Documenting Santal Musical Traditions” – A virtual exhibition on Google Cultural Institute
Source: courtesy Dr. Ruchira Ghose (Co-Curator, New Delhi, 21 January 2016); for photo and detailed credits, please check the multimedia production available at Google Arts and Culture here >> [Bold typeface added above for emphasis] Tip: view the actual slideshow, watch a video on Santal puppetry, listen to a rare 1914 Santali recording and read the full story