“During our biggest festival ‘Sorhai’ there were decoration on the walls with flower designs, bird and animal figures. I saw my mother and sister drawing red and blue lines on the walls by climbing on the bamboo ladder. [C]enturies-old traditional knowledge and art of building low-cost-no-cost mud-houses and the related skills and crafts, like wall paintings die out.” – Boro Baski in “Is ‘brick house’ the only sign of development?” (translated from an article in Bengali Anandabazar Patrika, 21 July 2019)
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A digital typeface based on Godna tattoo art from Chhattisgarh, and designed in collaboration with three tribal women (Ram Keli, Sunita and Sumitra) from the marginalised in partnership with Dutch designers, origanisations and educational institutions | Continue reading: https://indiantribalheritage.org/?p=21844
The instrument uses bamboo for the neck, dried and hollowed gourds for resonators, human hair or animal nerves for strings, and pangolin scales for frets which are fixed using honey-wax. According to Mr. Rao, visiting faculty at the Centre for Dalit and Adivasi Studies at the UoH, Chenchus lost the instrument half a century ago … Read more
The Halakki people are scattered across several Taluks of Uttara Kannada district namely Karwar, Ankola, Kumta, Gokarna and Honnavar. Despite exposure to people from the world over some characteristics of their traditional ways are still evident. Contact: +91-9741216491youmailvicky@gmail.comhttps://www.facebook.com/vicky.lakshmanan
The Indian Constitution recognizes only 22 languages. Of these only two adivasi languages, Santhali and Bodo are included in the Schedule of Languages. As per the 1991 Census there are 96 other languages having at least 10,000 speakers and 263 languages having even fewer speakers. The Non Scheduled languages being largely oral in nature have … Read more