“During our biggest festival ‘Sorhai’ there were decoration on the walls with flower designs, bird and animal figures. I saw my mother and sister drawing red and blue lines on the walls by climbing on the bamboo ladder. [C]enturies-old traditional knowledge and art of building low-cost-no-cost mud-houses and the related skills and crafts, like wall paintings die out.” – Boro Baski in “Is ‘brick house’ the only sign of development?” (translated from an article in Bengali Anandabazar Patrika, 21 July 2019)
https://indiantribalheritage.org/?p=29829
Nandalal Bose, Jamini Roy, Gopal Ghose, Gobardhan Ash… and now Ramkinkar Baij (1906-1980). The year 2013 may yet prove to be one of rich retrieval of art heritage, some of it marginalized in Bengal’s collective memory. Although wide recognition did not come to Baij early, he gained the status of a cult figure that ensured a … Read more
The National Handicrafts and Handlooms Museum, popularly known as the National Crafts Museum & Hastkala Academy, celebrates the rich, diverse, and practising craft traditions of India. Situated in a large campus at the corner of Pragati Maidan, opposite the majestic Purana Qila, the museum was designed by the renowned architect Charles Correa | Search for … Read more
Leaving no one behind: Indigenous peoples and the call for a new social contract There are over 476 million indigenous peoples living in 90 countries across the world, accounting for 6.2 per cent of the global population. Indigenous peoples are the holders of a vast diversity of unique cultures, traditions, languages and knowledge systems. They … Read more
Please note: India has far more museums and archives with “tribal collections” than can be shown here. Smaller collections are rarely advertised in tourist brochures or on the internet yet accessible by appointment (e.g. anthropology departments and research institutions). Collections and documentations of musical instruments are also found in the premises of the Sangeet Natak Akademi (New Delhi), exhibitions at some of the Zonal Cultural Centres (Government of India), and in … Read more
The clip opens with a description of Bhasha’s publishing activities and role in Gujarat’s general education system. It features Desing Rathwa, a adivasi pithora artist belonging to Rangpur Sadli Village near the border between Gujarat and Madhya Pradesh. Desing used to work as a daily wage labourer earlier. Several years back when Bhasha started work … Read more