“Having grown up within the largely oral Khasi community in Meghalaya, whose creative expressions mainly comprised song and “iathoh khana” (storytelling), it puzzled me that, in none of the canonical creative writing textbooks, had I come across a discussion on the influences of oral storytelling on craft.” – Janice Pariat in “Decolonising creative writing: It’s about not conforming to techniques of the western canon” (Scroll.in, 4 July 2021)
https://scroll.in/article/999215/decolonising-creative-writing-its-about-not-conforming-to-techniques-of-the-western-canon
https://indiantribalheritage.org/?p=3382
Niranjan Mahawar, 75 [in 2012], is a self-taught ethnologist of Chhattisgarh. He spent almost five decades in southern Chhattisgarh to study the life and art of the Bastar tribes. […] Today, Mahawar — who was made famous in a series of interviews by the writer Dom Moraes — is considered an authoritative voice on central … Read more
With over 10,000 stories in 124 languages, StoryWeaver is a vibrant reading site that helps children learn while giving a boost to obscure languages
TRIBAL NOISE | 09 Excerpt: Isak Munda From off beaten tracts to be unbeaten– Grace Nivedita SithaRaman (Wunn) This is the day when i shall hold you in wonder! When I disclose to you a tribal labourer. In the green corner of the tribal hamlet of hilly Sambalpur, In the state of Jaganatho – Odisha, … Read more
Leaving no one behind: Indigenous peoples and the call for a new social contract There are over 476 million indigenous peoples living in 90 countries across the world, accounting for 6.2 per cent of the global population. Indigenous peoples are the holders of a vast diversity of unique cultures, traditions, languages and knowledge systems. They … Read more