“Having grown up within the largely oral Khasi community in Meghalaya, whose creative expressions mainly comprised song and “iathoh khana” (storytelling), it puzzled me that, in none of the canonical creative writing textbooks, had I come across a discussion on the influences of oral storytelling on craft.” – Janice Pariat in “Decolonising creative writing: It’s about not conforming to techniques of the western canon” (Scroll.in, 4 July 2021)
https://scroll.in/article/999215/decolonising-creative-writing-its-about-not-conforming-to-techniques-of-the-western-canon
https://indiantribalheritage.org/?p=3382
Forests have been the lifeline for tribals and other forest dwelling communities since distant past. Communities have been setting aside certain patches of land or forest dedicated to a deity or village God, protected and worshipped called Devachirai in Goa. […] Address : http://mohan-pai.blogspot.com/Date Visited: Sat Aug 27 2011 11:39:13 GMT+0200 (CEST) Palaeolithic, Mesolithic and Neolithic … Read more
The Gudalur valley in the Nilgiris is home to four distinct indigenous communities – Paniyas, Kattunayakans, Mullukurumbas and Bettakurumbas. Learn more: https://cultureandconservation.wordpress.com/test/ >> On 15th December, 2014, members from 31 Tribal Gram Sabhas of the Gudalur and Pandalur Taluks organized a protest to demand their rights in the forest. Learn more: https://cultureandconservation.wordpress.com/2014/12/ >> My name … Read more
“We learnt how to make a story. We never gave importance to the story before, but now we do.” – Jyotiben, trainer “Even in the age of information overload, it is surprising that so little information is available on the tribals. So many histories- personal, political, oral, visual, gastronomic, medical, linguistic, are tucked away in little … Read more
‘Visible Work, Invisible Women’, is a fully curated, online still-photo exhibition. This video tour takes viewers around the entire physical exhibition, with original photographs and texts reproduced below as an article. All the photographs were shot by P. Sainath across ten Indian states between 1993 and 2002. These roughly span the first decade of the … Read more
Networking, respect for the culture nurtured by local communities and knowing the aspirations of modern tribal youth – these factors help rural children realize their full potential. In recent time, modernity has triggered tribal consciousness empathetically. Increasingly available facilities are pushing the educated and informed tribal groups to seek (new) identity among majority in the Indian society. […] So it is very … Read more