The Jeebon Roy Memorial Creative Arts Akademi has its origins in the Seng Khasi movement which began as a challenge to British domination and now counters the growing influence of western popular music by promoting the region’s cultural heritage.
- Watch Khasi music – the resilience of a tradition in an age of globalization >>
- Khasi musical heritage of Meghalaya – introduction >>
The universal rules of ‘good’ or ‘bad’ writing are turning out to be colonial relics. […] Having grown up within the largely oral Khasi community in Meghalaya, whose creative expressions mainly comprised song and “iathoh khana” (storytelling), it puzzled me that, in none of the canonical creative writing textbooks, had I come across a discussion on the influences of oral storytelling on craft.
Source: “Decolonising creative writing: It’s about not conforming to techniques of the western canon” by Janice Pariat (Scroll.in, 4 July 2021)
URL: https://scroll.in/article/999215/decolonising-creative-writing-its-about-not-conforming-to-techniques-of-the-western-canon
Date Visited: 15 July 2021
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Explore India’s tribal cultural heritage with the help of another interactive map >>
“The uniqueness of northeast states of India lies in their cultures” | Learn more >>
In Marginalised but not Defeated, Tarun Kanti Bose (a seasoned public interest journalist) “talks about the Khasis, Nagas, Karbis, Garos, Rabhas, Misings, Daflas, Bodos, Akas and others in the North-east. […] The mainstream development paradigm is being questioned and new rainbows of collective, community reassertions are happening across the tribal belt in India. More so, in most cases, led by brave, empowered and resilient women.” | Read the full review: https://countercurrents.org/2023/05/book-review-marginalised-but-not-defeated >>
Up-to-date reports by Indian journalists and commentators
To search Indian periodicals, magazines, web portals and other sources safely, click here. To find an Indian PhD thesis on a particular tribal community, region and related issues, click here >>