eJournal | Tribes in Transition-III: “Digitizing Adivasidom: Prejudices and Performances”
Courtesy Dr. Ivy Hansdak, Assistant Professor, Department of English, Jamia Millia Islamia University New Delhi (email 21 October 2021)
“The adivasi has always been described as a figure of pity by mainstream writers. But there is a group of tribal writers, who, through their literature, are giving an answer to the questions raised on their identity.” – Jitendra Vasava, a lecturer at Adivasi Academy, Tejgadh (Indian Express, 28 February 2010)
http://archive.indianexpress.com/news/symposium-held-on-gujarat-tribal-literature/585310
https://indiantribalheritage.org/?p=6304
Courtesy Dr. Ivy Hansdak, Assistant Professor, Department of English, Jamia Millia Islamia University New Delhi (email 21 October 2021)
Courtesy Dr. Ivy Hansdak, Assistant Professor, Department of English, Jamia Millia Islamia University New Delhi (email 30 September 2021)
Jhollywood is calling Forget the faux tribals grunting in Raavan. Jharkhand has its own film industry, made by Adivasi filmmakers for Adivasi viewers, says G VISHNUIS BEERA Formula for a Jhollywood film: five songs, three fights, three romance scenes. Plus Adivasi angst and humour Munda — Mani Ratnam’s pastiche Adivasi in Raavan played by Abhishek … Read more
Tribal and indigenous communities across the world have been asserting their rights to the mineral wealth often found under the land they own or possess or have traditional rights to. They have been historically denied even a share of that huge wealth, leave alone legal rights of ownership. Under the contemporary deregulated neo-liberal policy framework, … Read more
[…] It is interesting to note that Koris trace their history to the past where all present day downtrodden reach. This again bursts the myth that there was an amicable agreement between Asuras (aboriginals of Harappan Civilization and Indus Valley Civilization) and Suras who came from Iran. There are myths indicating that Asuras were made … Read more