“Since the days of remote past, the diversified art and cultural forms generated by the tribal and rural people of India, have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal/folk art and culture forms have played an instrumental role in reinforcing national integrity, crystallizing social solidarity, fortifying communal harmony, intensifying value-system and promoting the elements of humanism among the people of the country.” – Final Report “Evaluation Study of Tribal/Folk Arts and Culture in West Bengal, Orissa, Jharkhand, Chhatisgrah and Bihar” submitted to SER Division Planning Commission Govt. of India New Delhi by Gramin Vikas Seva Sanshtha West Bengal
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Swathi Vadlamudi, The Hindu, Hyderabad | Read the full story here >> Gunjala Gondi script, which could have easily been among the most written official languages of India if Gondwana existed in one piece, now has a calendar in its repertoire. This is another step towards popularisation of the relatively obscure Gondi alphabet, after its … Read more
What were the focus areas when Project Tiger was launched? Project Tiger was launched with nine tiger reserves, including Kanha, Corbett and Ranthambore. | To read the full article in The Telegraph, click here >> The film [Tigerland] focuses on your grandfather’s role in tiger conservation seen through your eyes. What has your role been? … Read more
INTRODUCTION 1.1 Background The Scheduled Tribes (STs) in the country are the groupings of historically disadvantaged people that are given express recognition in the Constitution of India. The Scheduled Tribes in the state of Kerala is largely heterogeneous and each community has different traditions, social custom, beliefs, rules, and practices. Census (2011) identifies 35 tribal … Read more
The Gudalur valley in the Nilgiris is home to four distinct indigenous communities – Paniyas, Kattunayakans, Mullukurumbas and Bettakurumbas. | Read more >> Source: Cultural Diversity | At the Edge of ExistenceAddress : https://cultureandconservation.wordpress.com/test/Date Visited: 15 February 2022 […] In the old days each hill had one Karnavar (traditional elder). If there was no fire for … Read more
The poets from the north-eastern region have to meet the double challenge of truth and liberty, of identity and unity, of cultural loss and recovery, of ethnic specificity and aesthetic universality. ONLY in the last one decade or so has the vibrant contemporary writing from the north-eastern region written in many languages, including English—Assamese perhaps … Read more