Modernity

“Our vital traditions are being lost. They are bing ‘modernized’.” – A tribal mother’s concerns (interviewed for Survival International) in “Factory Schools: Destroying Indigenous People in the Name of Education” (accessed 28 March 2021)
https://www.survivalinternational.org/about/factoryschools
https://indiantribalheritage.org/?p=34514

Santals and Santiniketan: Rabindranath’s concept of raising everyday life on to a higher level – West Bengal

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Source: Martin Kämpchen quoted by Prabir Chatterjee in “Santals and Santiniketan” (originally published by The Statesman)Address: https://www.mail-archive.com/jharkhand@yahoogroups.co.in/msg04356.htmlDate Visited: 23 June 2021 Tagore & the GeheebsThis book is a study of the Indo-German cultural exchange in the early 20th century that was initiated by three educators and their pedagogical vision… A review. | Read the full … Read more

India’s tribal cultural heritage – West Bengal

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“The smart boy or clever girl who is deprived of the opportunity of schooling, or who goes to a school with dismal facilities (not to mention the high incidence of absentee teachers), not only loses the opportunities he or she could have had, but also adds to the massive waste of talent that is a … Read more

Adivasis’ profound influence on modern Indian art: “The Triumph of Modernism” by Partha Mitter

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Primitivism in modern Indian art drew on adibasis. […] At Santiniketan, art was to be an integral part of an all-rounded education; Tagore had long considered Abanindranath’s pupil Nandalal [Bose] the best person to give this shape. The triumph of modernism: India’s artists and the avant-garde, 1922-1947 by Partha Mitter (New Delhi, Oxford Unitversity Press, 2007), p. 79 … Read more

Video | The representation of tribal women in Indian cinema: A comparison between Assamese cinema and Satyajit Ray’s classic “Days And Nights In The Forest” – Assam & West Bengal

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The immediate impression of Indian movies is that all are depicting an established formula, where the good woman is usually vulnerable and innocent, mostly good looking and also helpless or lacking in intelligence. The bad woman is either sensuous or scary and wicked even in appearance. But Assamese cinema, especially as seen through most of … Read more

eBook & eJournal | Reaffirming Indigenous Identity Through Narrative: Conference report

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Tribes In Transition-II: Reaffirming Indigenous Identity Through NarrativeReport for the ICSSR-sponsored Two-Day National Conference organised by The Department of English & Outreach Programme Jamia Millia Islamia, New Delhi on 27-28 February 2017 Read or download the full report (printfriendly PDF, 560 KB) Concept Note: The term “tribe” – used synonymously today with other terms like … Read more