“Having grown up within the largely oral Khasi community in Meghalaya, whose creative expressions mainly comprised song and “iathoh khana” (storytelling), it puzzled me that, in none of the canonical creative writing textbooks, had I come across a discussion on the influences of oral storytelling on craft.” – Janice Pariat in “Decolonising creative writing: It’s about not conforming to techniques of the western canon” (Scroll.in, 4 July 2021)
https://scroll.in/article/999215/decolonising-creative-writing-its-about-not-conforming-to-techniques-of-the-western-canon
https://indiantribalheritage.org/?p=3382
The natural wealth with which much of tribal India is endowed is also its bane. The erstwhile Bastar district, one of the largest in the country, was first divided into three, and later into seven parts, each with a separate administrative system. In the guise of bringing governance closer to the people – let us, … Read more
The wisdom of an octopus: The importance of hearing stories from the other side, of voices not heard Pankaj Sekhsaria | Read the full story >> [During his presentation at the Student Conference on Conservation Science in Bengaluru in September] Madhu Ramnath, a researcher and author […] shared anecdotes and lessons he learnt from decades of … Read more
A masterly tribute to a cult Gond artist Openthemagazine.com, Books, 09 March 2018 | Read the full review by Preema John >> Jangarh Singh Shyam: The Enchanted Forest Paintings and Drawings from the Crites Collection | Aurogeeta Das The first publication of its kind, this book examines Jangarh’s life and works from an academic and historical … Read more
Celestial Dancers of Manipur Perhaps the finest surviving example of traditions of ‘Bhakti’ in India, is the ‘Raasa Lila’ of Manipur. Source: ‘Spectacular India’ series film no 10 (Excerpts) – YouTubeAddress: https://www.youtube.com/watch?v=NOS3A5xbQj4Date Visited: Sat Dec 03 2016 11:14:59 GMT+0100 (CET) Art historian and film-maker Benoy K. Behl has completed shooting and documentation of the culture … Read more
Beyond stereotypes | Read the full story >> […] It took some time for [Nagaland-based artist Canato Jimo] to realise that diversity didn’t necessarily mean something that is steeped in cultural symbolism. “I started out by doing the obvious thing — looking at culture-specific stories like folk tales and festivals that were celebrated in Nagaland,” … Read more