“It is by now common knowledge that Adivasi artistic-creative traditions have been organically interwoven into a total way of life, which has, over generations, been developed on the basis of an eco-centric world view that considers the human world and nature as parts of the same continuum. Such traditions, whether wall/floor decorations, iconography, fine and/or performing arts, are deeply related to one another, and all of them are related to the everyday Adivasi way of life.” – Jayasri Banerjee in “Adivasi music and the public stage” (Indian Folklife, January 2002)
https://indiantribalheritage.org/?p=6448
Watch two brief excerpts from the archive of Bhasha’s video documentation team This documentation was undertaken at the campus of the Adivasi Academy to document the cultural practices as well as to understand them. These are available with the Academy’ museum for interested visitors, researchers, students and practioners of music and community members. The documentation … Read more
Dhodia Adivasis are spread across Gujarat and Maharashtra. They have songs for all occasions: birth, death, marriage, harvest and festivals. Their main musical instrument is the Toor. They have a rich repertoire of stories of human, animals and birds, tales of wit and cleverness, historical stories, mythical and magical tales, stories of origin, legends and … Read more
To learn more about specific items and their usage, type words like “instrument”, “ornament”, “drum”, “flute”, “puppetry”, “dress”, “ceremony”, “fish” etc. in search inside. For up-to-date reports type “Santal culture”, “Santali education”, “Santal heritage”, “West Bengal Santal dance”, “Tagore Santals”, “Santal Santiniketan” or similar combination of keywords in the search fields seen below.
Audio-resource-link: The Muria and Maria Gonds of Madhya Pradesh – audio examples and information >> Babiracki, C.M., ‘Tribal music in the study of great and little traditions of Indian music’. In: B. Nettl (ed.), Comparative musicology and anthropology of music. Chicago, 1990. Bhattachary S., 5., Ethno-musicology and India. Calcutta,1968. Deva, B.C., Musical instruments. Delhi, 1977. … Read more
The sprawling Shilparamam Jatara at Madhurawada, which is slowly drawing tourists and visitors, has an added attraction from Friday — a diorama on the life of legendary freedom fighter and leader of tribal uprising in Rampa Alluri Sitarama Raju. The narrative of the legendary freedom fighter’s life, right from as a boy, when he was … Read more