Musicology

“It is by now common knowledge that Adivasi artistic-creative traditions have been organically interwoven into a total way of life, which has, over generations, been developed on the basis of an eco-centric world view that considers the human world and nature as parts of the same continuum. Such traditions, whether wall/floor decorations, iconography, fine and/or performing arts, are deeply related to one another, and all of them are related to the everyday Adivasi way of life.” – Jayasri Banerjee in “Adivasi music and the public stage” (Indian Folklife, January 2002)
https://indiantribalheritage.org/?p=6448

The dhodro banam: Article on a bowed instrument played by the Santal and its distant relatives – India, Iran, Pakistan, Nepal & Central Asia

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Source: THE LUTES OF THE SANTHAL | livelystories.comAddress : http://livelystories.com/2014/06/23/lutes-santhal/Date Visited: Mon Jul 21 2014 21:24:53 GMT+0200 (CEST) Tip: read another article with references by Bengt Fosshag >>Backup file © Bengt Fosshag (PDF, 150 KB): Ganesh [G.N.] Devy in What unites Indians is a love for songs (telegraphindia.com) >> Our historical memory privileges singers – … Read more

Theatre as union of tribal and non-tribal culture – Chhattisgarh

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Theatre personalities of Chhattisgarh reached a well-recognised status, owing to their contribution in the theatre of Chhattisgarh. Chhattisgarh is one of the eminent rural states of India and its theatre art is purely the union of tribal and non-tribal culture. The harmonisation of eastern and western art as a result of the British imperialism has … Read more

Garo Drums: Symbols associated with specific regions and social occasions – Meghalaya, Assam, Tripura, Nagaland, West Bengal & Bangladesh

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Garos are a tribal group from Meghalaya, predominantly residing in the Garo Hills region. Though found in the three (now five) Garo Hills districts, they also reside in the adjoining states of Assam, Tripura, Nagaland, and West Bengal in the Indian Union and across the political divide in the northern districts of Bangladesh. Traditionally the … Read more

Santal creation myth in “Painted Songs”: an exhibition and publication on Bengali picture-scroll traditions – Zurich (Switzerland)

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Painted Songs: Continuity and Change in an Indian Folk Art by Thomas Kaiser (192 pages, 22 x 30 cm, 196 mostly coloured illustrations). Stuttgart and Zürich 2012. ISBN 9783897903661. Note: A major chapter (pp. 88-123) consists of illustrations of the “Santal Creation Myth”. More information: ARNOLDSCHE Art Publishers A wide range of themes, formats and techniques are covered both in … Read more