eBook | Khasi, Garo and Jaintia communities are “models for sustainability in the future”: Report and recommendations on ways to counter deforestation – Meghalaya

Deforestation in Garo Hills and its impact Abstract by Manoj Kumar The state was declared a full-fledged state of the Indian Union on January 21, 1972. The state of Meghalaya comprises Khasi, Garo and Jaintia hills. The scheduled tribe populations (mainly belonging to khasi, Jaintia and Garo tribes) constitute 85.53% of the total population. The Garos … Read more

India’s tribal cultural heritage – Uttarakhand

Source: Nazir A. Pala, Ajeet K. Neg and N.P. Todaria in “The Religious, Social and Cultural Significance of Forest Landscapes in Uttarakhand Himalaya, India” (International Journal of Conservation Science, Vol. 5, Issue 2, April-June 2014)URL: https://www.academia.edu/32265911Date Visited: 22 May 2022

Tip | Voices from the Periphery: A multidisciplinary book “reversing the gaze”: Questioning the fringes of India’s mainstream society

“It is wrong and does not help the tribal cause either to reduce the image of the Indian tribal society to that of destitute remnants, on the verge of dying out.” – Georg Pfeffer in Voices from the Periphery: Subalternity and Empowerment in India (Routledge India 2012) A rare collection of essays and different from most … Read more

Adivasis’ profound influence on modern Indian art: “The Triumph of Modernism” by Partha Mitter

Primitivism in modern Indian art drew on adibasis. […] At Santiniketan, art was to be an integral part of an all-rounded education; Tagore had long considered Abanindranath’s pupil Nandalal [Bose] the best person to give this shape. The triumph of modernism: India’s artists and the avant-garde, 1922-1947 by Partha Mitter (New Delhi, Oxford Unitversity Press, 2007), p. 79 … Read more

Video | The representation of tribal women in Indian cinema: A comparison between Assamese cinema and Satyajit Ray’s classic “Days And Nights In The Forest” – Assam & West Bengal

The immediate impression of Indian movies is that all are depicting an established formula, where the good woman is usually vulnerable and innocent, mostly good looking and also helpless or lacking in intelligence. The bad woman is either sensuous or scary and wicked even in appearance. But Assamese cinema, especially as seen through most of … Read more