“Within villages around Dang [Gujarat], traditional instruments and artists are waning. Cultural music and dance forms among the adivasis have evolved over centuries. Beautified by elements and nuances of their surroundings, these forms depict their very lifestyles. Played for hours together in the same tempo, music is an integral part of celebrations and mourning. […] Each instrument has a purpose and belief related to it.” – Ashleshaa Khurana in “The ailing art of adivasi music” (Times of India, 30 January 2014)
https://indiantribalheritage.org/?p=13780
S Joseph, who introduced Malayalam poetry to hitherto unexpressed human conditions (Meenkaran, Mesthri, Kotta, Identity Card, Chila Irunda Idangal, Aana, Maruku, Pengalude Bible) with very ordinary, pared down words, has wandered through life’s mean streets to reach where he is today. Indeed, he has come a long way as a man and a poet. His grubby backyard … Read more
PHEROZE L. VINCENT, The Hindu, November 24, 2012 | To read the full article and view more photos, click here >> The Garo tribe of Western Meghalaya celebrates the winter harvest with a three-day festival. […] Alva Sangma, the editor of Achik Songbad, a Garo weekly, offered this reporter a lift from Tura. Alva, a former … Read more
I just can’t remember what it is. And the more I try to remember it, the more disconcerted I become, because if I should forget anything at all from my childhood, it shouldn’t be that! For storytelling was central to our existence as children. You got up every morning, washed your face, chewed a special, … Read more
Prevalent in the tribal belt of the bordering areas of the provinces of Orissa, Jharkhand and West- Bengal in eastern India. There are three district forms of Chhau: (i) Seraikella Chhau of Jharkhand (ii) Mayurbhanj Chhau of Orissa (iii) Purulia Chhau of West Bengal (i) The dances as mainly come from communities known as Mundas, … Read more