“Our vital traditions are being lost. They are bing ‘modernized’.” – A tribal mother’s concerns (interviewed for Survival International) in “Factory Schools: Destroying Indigenous People in the Name of Education” (accessed 28 March 2021)
https://www.survivalinternational.org/about/factoryschools
https://indiantribalheritage.org/?p=34514
“We got support from young people […] are able to reach out to people and keep transparency through the gram panchayat website” – Sanjaysingh Nethi, Village Council Head, Silphili, Chhattisgarh in an interview on YouTube from 1:52 >> Published on Jan 4, 2017 More than 300km from Raipur, the road that leads to Silphili village is anything but … Read more
Call it the sounds of change. Love it or hate it, folk musicians of Jharkhand are using non-tribal instruments such as the keyboard along with traditional ones such as dhol, mandar and nagada to jazz up their ageless repertoire. Chutia-based Arun Nayak Mukund, with 10 more tribal musicians, is trying to fuse “modern elements” into … Read more
The colours and lines of Aboriginal art in Australia’s outback take the author back to the deserts of her birthplace in Rajasthan Neena Bhandari, The Hindu, October 15, 2016 In the grainy red sand, Anangu Aboriginal artist Sarah Dalby, 42, glides her fingers to draw a collection of symbols to demonstrate how the Aborigines have … Read more
Source: The University : Indira Gandhi National Tribal University, AmarkatnakAddress: http://www.igntu.ac.in/theuniversity.htmDate Visited: Fri Dec 09 2016 14:40:41 GMT+0100 (CET) [Bold typeface added above for emphasis]
A museum can be a motivation for the community to move forward towards modernity without abandoning one’s Santal mentality – Boro Baski (concept note for the National Seminar on 8th December, 2016) Organized by Bishnubati Adibasi Marshal Sangha, Birbhum, West BengalFunded by The Anthropological Survey of India, Government of India Funded by The Anthropological Survey of … Read more