“Having grown up within the largely oral Khasi community in Meghalaya, whose creative expressions mainly comprised song and “iathoh khana” (storytelling), it puzzled me that, in none of the canonical creative writing textbooks, had I come across a discussion on the influences of oral storytelling on craft.” – Janice Pariat in “Decolonising creative writing: It’s about not conforming to techniques of the western canon” (Scroll.in, 4 July 2021)
https://scroll.in/article/999215/decolonising-creative-writing-its-about-not-conforming-to-techniques-of-the-western-canon
https://indiantribalheritage.org/?p=3382
We have finished our work with our African and Indian communities successfully. […] Our community engagement programme is now beginning to bear fruit. Among the five groups we are working with are the Santal tribe in eastern India and the Mende group in Sierra Leone, where Methodist missionaries took photos in the 1920s-1940s. In both … Read more
By Sunil Gupta, The Telegraph (www.telegraph.co.uk), 1 February 2010 Photograph: Muria Tribal Boys at the Benur Village weekly market by Manoj Kumar Jain, 2002 Artist and curator Sunil Gupta has distilled the history of photography in India, Pakistan and Bangladesh into a landmark exhibition at London’s Whitechapel Gallery. In a series of articles for the Telegraph.co.uk … Read more
The NONAM is dedicated to the arts and cultures of the indigenous peoples of Canada and the United States. Without false romanticism it offers attractive approaches for visitors of all ages to learn about First Nations, Native Americans and Inuit. In the permanent exhibit, an unexpected museum landscape refers to the diverse living conditions of North … Read more
Creative Commons isn’t perfect, and some people have made reasonable arguments against its system. However, it still seems the most balanced, easiest to use approach generally accepted in the market, and it does leave the artist in control of deciding which rights to hold and which rights to grant. This seems far better than the … Read more
Shreya Pareek, Bangalore, June 3, 2014 His project titled ‘Grassroots Cinema’ consisted of five short films (in the local tribal languages) scripted, directed and shot in a democratic and participatory approach with the children. One of the short-films that he created with these tribal schools had only girls in the group and the film turned out … Read more