Santal historian Sumit Soren in conversation with Dr. Daniel Rycroft – Jharkhand

30th June is a red letter day for Santhals, 158 years ago [in 2013], on this day the Santhals of Damin-i-koh declared an open rebellion against tyranny and corruption.  It is a special day for all freedom loving people of the World, as the message of the Great Rebellion still echoes in the hearts and … Read more

Celebrating movement in peace and togetherness: Jana Sanskriti Centre for Theatre of the Oppressed – West Bengal

The idea of Theatre of the Oppressed was born in South America in the early seventies from the work and practice of Brazilian theatre theoretician and director Augusto Boal. Jana Sanskriti was the first group to bring Theatre of the Oppressed and Forum Theatre to India. In Forum Theatre members of the theatre team select, … Read more

Santals and Santiniketan: Rabindranath’s concept of raising everyday life on to a higher level – West Bengal

Source: Martin Kämpchen quoted by Prabir Chatterjee in “Santals and Santiniketan” (originally published by The Statesman)Address: https://www.mail-archive.com/jharkhand@yahoogroups.co.in/msg04356.htmlDate Visited: 23 June 2021 Tagore & the GeheebsThis book is a study of the Indo-German cultural exchange in the early 20th century that was initiated by three educators and their pedagogical vision… A review. | Read the full … Read more

India’s tribal cultural heritage – West Bengal

“The smart boy or clever girl who is deprived of the opportunity of schooling, or who goes to a school with dismal facilities (not to mention the high incidence of absentee teachers), not only loses the opportunities he or she could have had, but also adds to the massive waste of talent that is a … Read more

Video | The representation of tribal women in Indian cinema: A comparison between Assamese cinema and Satyajit Ray’s classic “Days And Nights In The Forest” – Assam & West Bengal

The immediate impression of Indian movies is that all are depicting an established formula, where the good woman is usually vulnerable and innocent, mostly good looking and also helpless or lacking in intelligence. The bad woman is either sensuous or scary and wicked even in appearance. But Assamese cinema, especially as seen through most of … Read more